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Kant after Duchamp Thierry de Duve
Publisher: MIT Press

[4] Friedrich Wilhelm Heubach, Das bedingte Leben. This exhibition is partly inspired by the first chapter of Thierry de Duve's Kant after Duchamp, in which an imaginary anthropologist from outer space sets out to inventory 'all that is called art by humans'. See also Thierry De Duve, Kant After Duchamp (Cambridge, MA, and London: MIT Press, 1996), 199–279. [3] Duchamp quoted in Thierry de Duve, Kant after Duchamp (Massachusetts: MIT Press, 1996), 175. Art is a complicated social product, an aesthetic document of humankind and its culture. This volume brings together eight essays around a central thesis, with implications for the history of avant-gardes. 4 Paul Chan, “What Art Is and Where It Belongs,” e-flux journal, no. The “best”) art work of the twentieth century, including its status as a prank, and all the manipulations Duchamp performed to put the image of La Fontaine into circulation, recorded in Thierry De Duve's Kant After Duchamp. Thierry de Duve é historiador de arte e filósofo, professor emérito da Universidade de Lille 3. (Theirry de Duve, Kant after Duchamp, The MIT press, 1996) But what sort of definition is that? Entwurf zu einer Theorie der psycho-logischen Gegenständlichkeit der Dinge. KANTAFTERDUCHAMPTHIERRY DE DUVEAN O C T O B E R BOOKT H E M I T PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENCLAND © 1996 Massachusetts Institute of Technology All rights reserved. After a prize-winning introduction to a translation of Husserl's Origin of Geometry (1962), it was with La Voix et le phénomène, De la grammatologie, and L'Écriture et la différence (all 1967), and subsequently Marges de la philosophie, Press (1996) | "Kant after Duchamp", Thierry de Duve, October - MIT Press (1996)|"Neo-Avantgarde and Cultural Industry - Essays on European and American Art from 1955 to 1975", Benjamin H.D.